Roselle Garden - Halo Plate
Description
The Halo Plate is designed for the slower hours of the day, for an afternoon tea shared with friends, or a quiet dessert enjoyed alone. Its wide surface holds light like water, while the gentle rise of its rim forms a calm boundary, inviting reflection even in the simplest moments.
The plate’s roselle red glaze shimmers with depth, accented by a golden border and deer motifs that move lightly around the edge. Balanced between ornament and restraint, it brings a quiet poetry to the table, equally suited for fruit, sweets, or the pause between conversation and calm.
* Material: Handcrafted white porcelain
* Size: 130Diax45H mm
* Finish: Roselle red glaze with gold deer motifs
* Origin: Jingdezhen, China
* Each piece shaped individually by hand
details
In your hands, heritage becomes part of your daily rituals.
Release
1987
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Finish
Roselle red glase with gold deer motifs
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Origin
jingdezhen, china
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Process
Jun ware with transmutation glaze
maintenance
Our pieces are made to last, but how you care for them is what gives them soul.
- Avoid placing the carafe in a microwave, oven, or steamer, high heat may affect the glaze.
- Dishwasher safe; gentle cycles are best.
- Avoid metal utensils or rough sponges on the surface.
- After use, rinse and dry softly to preserve the glaze’s depth.
- For light stains, soak briefly with baking soda and warm water.
Inspiration
Objects are not trophies. They are the quiet witnesses to how you live.
Roselle Garden is a dream of Jiangnan at dawn, where mist lifts from water and the world feels suspended between waking and memory.
The deer moves softly through this imagined garden, a timeless symbol of grace and renewal. On porcelain, its form is more than ornament; it speaks of the balance between freedom and stillness, life and art.
Through the kiln’s unpredictable alchemy, colours bloom and shift like light through early fog, each cup a small landscape of chance and craftsmanship.
The Artisan Behind
In Jingdezhen, Master Deng Xiping continues a lineage once reserved for imperial workshops. Her life in porcelain spans over six decades, from apprentice to national master of coloured glazes, and her hands still carry the rhythm of patience learned in youth.
Working alongside a new generation of women artisans, Deng’s studio redefines what heritage can be. Here, tradition is not repeated but renewed: every brushstroke and glaze firing becomes a dialogue between eras, between the precision of the past and the emotion of the present.
The Roselle Garden series embodies this evolution, porcelain as both memory and movement, a quiet testament to the artistry of women shaping the future of an ancient craft.